Read e-book online A Companion to Roman Love Elegy PDF

By Barbara K. Gold

ISBN-10: 1118241169

ISBN-13: 9781118241165

ISBN-10: 1444330373

ISBN-13: 9781444330373

A spouse to Roman Love Elegy is the 1st entire paintings committed exclusively to the learn of affection elegy. The style is explored via 33 unique essays thatoffer new and leading edge ways to express elegists and the self-discipline as a whole.

  • Contributors symbolize a number of confirmed names and more youthful students, all of whom are revered specialists of their fields
  • Contains unique, by no means ahead of released essays, that are either obtainable to a large viewers and provide a brand new method of the affection elegists and their work
  • Includes 33 essays at the Roman elegists Catullus, Tibullus, Propertius, Sulpicia, and Ovid, in addition to their Greek and Roman predecessors and later writers who have been motivated via their work
  • Recent years have noticeable an explosion of curiosity in Roman elegy from students who've used quite a few serious techniques to open up new avenues of understanding

 

Content:
Chapter 1 Calling out the Greeks: Dynamics of the Elegiac Canon (pages 9–24): Joseph Farrell
Chapter 2 Catullus the Roman Love Elegist? (pages 25–38): David Wray
Chapter three Propertius (pages 39–52): W. R. Johnson
Chapter four Tibullus (pages 53–69): Paul Allen Miller
Chapter five Ovid (pages 70–85): Alison R. Sharrock
Chapter 6 Corpus Tibullianum, e-book three (pages 86–100): Mathilde Skoie
Chapter 7 Elegy and the Monuments (pages 101–118): Tara S. Welch
Chapter eight Roman Love Elegy and the Eros of Empire (pages 119–133): P. Lowell Bowditch
Chapter nine Rome's Elegiac Cartography: The View from the through Sacra (pages 134–151): Eleanor Winsor Leach
Chapter 10 Callimachus and Roman Elegy (pages 153–171): Richard Hunter
Chapter eleven Gallus: the 1st Roman Love Elegist (pages 172–186): Roy ok. Gibson
Chapter 12 Love's Tropes and Figures (pages 187–203): Duncan F. Kennedy
Chapter thirteen Elegiac Meter: Opposites allure (pages 204–218): Llewelyn Morgan
Chapter 14 The Elegiac publication: styles and difficulties (pages 219–233): S. J. Heyworth
Chapter 15 Translating Roman Elegy (pages 234–250): Vincent Katz
Chapter sixteen Elegy and New Comedy (pages 251–268): Sharon L. James
Chapter 17 Authorial identification in Latin Love Elegy: Literary Fictions and Erotic Failings (pages 269–284): Judith P. Hallett
Chapter 18 The Domina in Roman Elegy (pages 285–302): Alison Keith
Chapter 19 “Patronage and the Elegists: Social truth or Literary Construction?” (pages 303–317): Barbara okay. Gold
Chapter 20 Elegy, paintings and the Viewer (pages 318–338): Herica Valladares
Chapter 21 acting intercourse, Gender and gear in Roman Elegy (pages 339–356): Mary?Kay Gamel
Chapter 22 Gender and Elegy (pages 357–371): Ellen Greene
Chapter 23 Lacanian Psychoanalytic thought and Roman Love Elegy (pages 373–389): Micaela Janan
Chapter 24 Intertextuality in Roman Elegy (pages 390–409): Donncha O'Rourke
Chapter 25 Narratology in Roman Elegy (pages 410–425): Genevieve Liveley
Chapter 26 The Gaze and the Elegiac Imaginary (pages 426–439): David Fredrick
Chapter 27 Reception of Elegy in Augustan and Post?Augustan Poetry (pages 441–458): P. J. Davis
Chapter 28 Love Elegies of overdue Antiquity (pages 459–475): James Uden
Chapter 29 Renaissance Latin Elegy (pages 476–490): Holt N. Parker
Chapter 30 Modernist Reception (pages 491–507): Dan Hooley
Chapter 31 instructing Roman Love Elegy (pages 509–525): Ronnie Ancona
Chapter 32 instructing Ovid's Love Elegy (pages 526–540): Barbara Weiden Boyd
Chapter 33 instructing Rape in Roman Elegy, half I (pages 541–548): Genevieve Liveley
Chapter 33a educating Rape in Roman Love Elegy, half II (pages 549–557): Sharon L. James

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Nagle, B. R. 1980. The Poetics of Exile: Program and Polemic in the Tristia and Epistulae ex Ponto of Ovid. Collection Latomus 170. Brussels. Nicolai, R. 1991. La storiografia nell’educazione antica. Pisa. Parsons P. J. 1992. ” The Oxyrhynchus Papyri 59: 4–50. Pfeiffer, R. 1949. Callimachus. Vol. 1, Fragmenta. Oxford. Powell, J. U. 1925. Collectanea Alexandrina. Oxford. Randall, J. G. 1979. 2: 27–35. Spanoudakis, K. 2001. ” Mnemosyne 54: 425–41. Spoth. F. 1992. Ovids Heroides als Elegien. Zetemata 89.

The equally famous Poem 11, delivering its speaker’s bitter message of dismissal to a lover proved false, closes on a literal cut inside an unforgettable figure. 24), the speaker has plowed his own utterance straight down its furrow to an untoppable and unanswerable closure, by hitting on a poem-final phrase that manages to nail, with overweening aptness, no fewer than three things at once: the steely brutality of the heartlessness he imputes to his beloved; the slashing intensity of his own retaliatory anger; and the wilting pathos of the self-pitying aggrievement that underlies that anger as the source and secret principle of it, and that a psychologically subtle poet lets us discern through and beneath the words of his poem’s speaker.

Vol. 1, Fragmenta. Oxford. Powell, J. U. 1925. Collectanea Alexandrina. Oxford. Randall, J. G. 1979. 2: 27–35. Spanoudakis, K. 2001. ” Mnemosyne 54: 425–41. Spoth. F. 1992. Ovids Heroides als Elegien. Zetemata 89. Munich. Sturz F. W. 1820. Orionis Thebani Etymologicon. Leipzig. Tarrant, R. 2002. ” In Hardie 2002, 13–33. Wahlberg, S. E. 2008. ” Diss. University of Pennsylvania. Philadelphia. West, M. , ed. 1992. Iambi et Elegi Graeci ante Alexandrum cantati. Vol. 2. 2nd ed. Oxford. Williams, G. D.

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A Companion to Roman Love Elegy by Barbara K. Gold


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