By Mari Ruti
Psychoanalytic point of view on what Western philosophers from Socrates to Foucault have known as “the paintings of living.”
How are our lives significant? what's the courting of loss to creativity? How will we most sensible have interaction and triumph over our discomfort? From Socrates to Foucault, Western philosophers have sought to outline “the artwork of living”—the complicated craft of human life that elicits our considerate participation, and the concept although dying escapes our regulate, lifestyles isn't anything that easily occurs to us in a passive demeanour yet is as an alternative a approach that invitations our lively and full of life engagement. A international of Fragile Things deals a incredibly psychoanalytic point of view on “the artwork of living,” one who makes a speciality of ongoing and ever-evolving methods of self-fashioning instead of defining a hard and fast and unitary experience of self. With a compelling mixture of philosophical perception and psychoanalytic acumen, Mari Ruti asks specialists and readers alike to probe the complexities of human lifestyles, providing a latest outlook on probably the most enduring questions of Western thought.
"…[a] just right e-book … In exploring such subtending issues because the relation of loss to creativity and the which means of affection, myth, and personality improvement, Ruti stands within the culture of humanist writers who've bridged the disciplinary gaps among philosophy, psychotherapy, and the human sciences." — CHOICE
“Ruti’s bracing postmodernist sensibility is definitely ballasted by means of real open-mindedness or even a clean sprint of humanism. Her eloquent argument that ‘psychoanalysis teaches us to make a advantage of contingency’ could be heeded not just by means of students of literature and philosophy but in addition via practising clinicians.” — Peter L. Rudnytsky, coeditor of Psychoanalysis and Narrative Medicine
“Passionate, persuasive, bold and caring—Ruti cogently bridges ontological matters into psychoanalytic thought.” — Ellen McCallum, writer of Object classes: how one can Do issues with Fetishism
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Additional info for A World of Fragile Things: Psychoanalysis and the Art of Living
19 The self ’s unity and organization, in other words, result from its ability to sift through and appropriate an ever-increasing number of complex desires, inclinations, and experiences. What is more, the self not only manages to hold together the numerous threads of the present 24 A WORLD OF FRAGILE THINGS moment—to navigate between the diverse potentialities of what is immediately and tangibly at hand—but also to reach backward through its personal history in order to resuscitate and reinterpret elements of the past that can help it to better live in the present.
This insight is something that the contemporary culture of authenticity for the most part neglects to elaborate. Even if we acknowledge—as I hope to do throughout this book— the dangers of social conventionality, not to mention of the kind of frenetic existence that I described earlier, pitting authenticity against sociality is misguided on at least two different levels. First, none of us can have an identity independently of others for the simple reason that the self is by definition an intersubjective entity.
34 By the same token, we may find that it is precisely when we surrender ourselves to involvements and preoccupations that touch the world outside ourselves—when we choose to enter the folds of collective life in a real and palpable sense—that we come the closest to authenticity. After all, it is not only the passion or intensity of our sentiments, but also the dignity, acumen, and judiciousness of our outlook, that carries weight in the larger scheme of things. On this view, to confound the manner and content of authenticity is to deprive ourselves of much of what we find 34 A WORLD OF FRAGILE THINGS most rewarding.
A World of Fragile Things: Psychoanalysis and the Art of Living by Mari Ruti